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Saturday, March 26, 2011

Passion in Portraits

During my twenties I got along largely by painting portraits.  My favorite sitters were the ones who possessed a keen intelligence and a deeply felt, piercing passion for something.  The portraits in which I succeeded in capturing that quality were among the best ones.



A student asked me how I learned to do it and all I could think of to answer was: "You can't teach soul."









Saturday, March 19, 2011

Ordinary, Everyday Gestures in Art

Making works of art which feature figures performing familiar, commonplace motions is a largely modern practice.  It is hard to find examples from before the 19th century.

Art works paid for by the state or the church employ mostly Significant Gestures - heroic, dramatic, godly, instructive.

In utilitarian arts such as pottery, a homely movement shows up occasionally.  This drawing of two women getting ready to bathe is on the inside of a drinking bowl made about 470 B.C.



A notable exception is a stone carving from a balustrade atop a temple in Athens.  The woman pauses to remove her sandal in order to humbly approach a goddess barefooted.  It dates from about 406 B.C.



The next example skips ahead in date past the entirety of the Middle Ages to about 1650.  It is a detail from a women's bath fantasy by Cerquozzi.



Rembrandt made many studies of ordinary, everyday gestures, though few were developed into finished paintings.  This drawing of a little boy being brought into the house, against his will, by a woman is from about 1635.



Degas, however, made a career of the practice.  He made fine pictures of people doing such un-heroic things as yawning, scratching, trying on hats, among many others.





New York artist Isabel Bishop made a lifelong occupation of observing and depicting ordinary actions





The first example was done in 1935, the third one in 1965.

Such things can be made into Significant Works of Art.

Sunday, March 13, 2011

From Tipsy to Blotto

  1. I moved, no posts for several weeks.  While going through files containing decades' accumulation of sketches from life, I ran across quite a few drawings made in bars..  I was struck by how many of these sketches conveyed the precise degree of inebriation of my subjects.  For the fun of it, here is a sampling: